‘But I’m a Cheerleader’Film Review

| June 19, 2015

How does the film respond to the previous trends in LGBT rep (villains, killers, mentally ill, no sexuality)?
Is there gay cultural specificity? (Community, intimacy, etc)
How does the film use style (how things look) to exaggerate in a campy way?
How is it evocative of a queer sensibility? (Anti-category, critical of categorical limitations)?

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